Experimenting with an array of materials, Dana produces cut backdrops for her short videos and animations, light filtering through the slots that she gracefully removes from the dark fabric. Producing sets within her studio and on location, Dana creates videos that are both planned out and happened upon, a cinematic spontaneity incorporating nature and its poetic slowness. Dana’s practice is just as broad as the subjects she focuses, leaving open the ability for shifting light and attitude within her work.
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