Inside\Within is a constantly updating web archive devoted to physically exploring the creative spaces of Chicago's emerging and established artists.

Support for this project was provided by The Propeller Fund, a joint administrated grant from Threewalls and Gallery 400 at The University of Illinois at Chicago.

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Posts tagged as: Devening Projects

BRADLEY_BIANCARDI02

Connecting each aspect of his painting practice back to drawing, Bradley translates quick sketches in pencil to life-size works that create a physical connection between the viewer and the painting. Recently he has begun to incorporate the use of extended brushes as a way to break down this drawn dexterity, moving away from the predictable nature of each line. Color is then filled in to these large, sketched forms, a frozen narrative where contemporary iconography consciously dates the work.

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Cody Tumblin's Dyed Anti-Relics

CODY_TUMBLIN02

Cody Tumblin's Dyed Anti-Relics

Cody Tumblin's Dyed Anti-Relics

Meticulously mixing dye like a mad scientist, Cody (who a plethora of beakers) uses the highly calculated process to paint onto cheap cloth. The material, which is often casually strewn around his studio, tends to be hung untraditionally after completion. Recently pieces were stretched into the shape of books from his personal collection as well as hung dangling from a laundry line. Paying attention to the personality of his materials Cody often sews pieces of fabric together to create one piece, using the seam as an opportunity to draw on his works.

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MICHAEL_MILANO01

Transitioning between several mediums, Michael applies the same method of parameters and permutations to both his sound-based and visual pieces. Applying an attentive eye to the studio allows Michael to transfer the same practice to real life, in turn bringing small, everyday inspirations from the street back to his drawings and textile works.

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Allison Wade's Sculptured Prose

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Allison Wade's Sculptured Prose

Allison Wade's Sculptured Prose

Allison arranges her sculptures in the same way an author would a paragraph, grouping works into phrases and removing objects for pause. Together the sculptures balance each other within small families, playing out a tensioned existence that works amongst each of their collected parts. Separately the works exist as minimal objects, but gain momentum when combined with others formed within the same clause.

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