Located within her home, Meg’s studio travels to any room that fits her current need, covering an upstairs wall with details from her upcoming film while filling another with suitcases that carry the rubble of past works. After optioning the rights to James Agee’s 1947 script “The Tramp’s New World,” Meg has begun to explore the new roles the project has provided, creating performance through her position as director, and becoming comfortable within the new territory laid out as filmmaker.
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