Contorting her body and balancing precariously on stools, Selina transforms her studio still lifes into performative images by capturing herself within strategically placed mirrors. Drawn to the economy of gesture, Selina uses the mirrors to multiply and expand her limbs and the objects they surround, producing scenes that reference her native alpine home. Due to a personal pact she has not bought any new materials for her studio since 2012, forcing her to constantly change her aesthetic as paints and pastels run dry.
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