Dan has never had a traditional view of an exhibition, or a studio for that matter. For the last several years he has collaborated with Thomas Kong, an artist whose studio is completely integrated into his daily business practice. Inspired by this method of working, Dan explores the notion of labor in his own practice by participating in useful tasks at the site of exhibitions, recently testing lightbulbs and painting walls rather than making his own aesthetic choice within a space. Together with Thomas, Dan founded The Back Room, an anti-curatorial project that promotes further collaboration at the site of Thomas’s work.
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