Connecting each aspect of his painting practice back to drawing, Bradley translates quick sketches in pencil to life-size works that create a physical connection between the viewer and the painting. Recently he has begun to incorporate the use of extended brushes as a way to break down this drawn dexterity, moving away from the predictable nature of each line. Color is then filled in to these large, sketched forms, a frozen narrative where contemporary iconography consciously dates the work.
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